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一直作為米路斯．科曼劇本(📼)鐵三角（另一位是(🕋)帕培錫，也是(🕰)本片編劇(🎺)之一）成(chéng )員的艾(ài )雲．巴薩，當然也(💤)走(zǒu )(😧)低度(📿)戲劇路線。同(❣)是(🌗)音樂(♑)家(📼)的彼德與卡洛(🕔)老友重(🎩)逢，生活狀況(kuàng )(🕯)大不同，你有伴侶我有家庭(🕌)，然而都有說不(bú )出的不(bú )明(😻)朗，唯有以酒與音(😱)樂代替口(💞)水。全片推展不問目的，只在(⏯)剎(😞)那間的(de )意圖，行行企企(qǐ )比起科(kē )曼更(gèng )義無反顧，卻有(yǒu )生(shēng )活淡如流(🙀)水(shuǐ )(🙉)的詩意和繆思，叫觀(🤷)眾聯想到(dào )二十年後的伊力．盧馬。巴薩鍾(zhōng )愛(ài )(🚴)音樂的程度不(👣)下於文字和電(💹)影(yǐng )，古典(diǎn )(🍑)音樂與民間(jiān )音樂於(yú )全(quán )片(🏻)迴(huí )(🐛)轉(zhuǎn )(🌹)迴(huí )(⛏)盪，難怪成了奇(💅)斯洛夫斯基十大心愛電影之一。 (🤔) 康(🤥)城(⏲)影展(🔤)青年(💏)評審(shěn )團獎，美國(guó )全(🐞)國影評人協(🚲)會特(tè )別獎 (🌱) (🆙)這部1966年(nián )(📞)的珍(zhēn )(🏓)品，是(shì )捷(jié )克新浪潮短(duǎn )(🎦)暫生命中最佳作(zuò )品之一(yī )(🧘)。成(chéng )名(míng )音樂家到(dào )小(🎴)鎮(zhèn )探訪舊同學(🏸)，舊同學是個(🔮)窮音樂教(🔬)師，有時在喪禮上吹奏樂曲。平凡的素材在(zài )巴(bā )素(sù )(🛌)手裡，變出(chū )風趣(qù )復罕見的(de )旋(xuán )律，一部憂(🎆)鬱的喜(xǐ )劇，或灰色(sè )(👔)喜劇。 (♟) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🎻) Source HKIFF Czech New Wave 2006
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